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ODRZ17 - “Meeting Point - Under the Roof ” 2008
The Meeting Point is an international platform for the practice of interdisciplinary instant composing.
Different kind of arts (music, dance, visual art, etc…) run into improvised performance and instant composing: just as a ground for interdisciplinary exchange, artistic productions and social communication.
The platform functions as a ground for the exchange within each community and among different communities of improvisers in different cities.
At the moment it is active in Amsterdam, Barcelona, Berlin, Helsinki, Milano and Outokumpu. As well as in its nomadic version.
ODRZ will be part of the platform, in Milan (at Comuna Baires in via Parenzo 7), on December 14th 2008 with Marcella Fanzaga, Giuseppe Esposito, Ailadi Cortelletti, David Gauquelin.
http://www.themeetingpoint-milano.blogspot.com/
http://www.themeetingpoint-impro.com/
ODRZ14 - “MARGINI SONORI” 2007
- “MARGINI SONORI II” 2008
Unconventional music set exploring the national and international panorama of a musical cave-like scene, mostly unknown but absolutely active and reactive; scene belonging to artists who perfectly represent the everyday life routine, projecting themselves to a far or close - who knows ? - allucinating future.
Each and every perfomed night flows among electonical music and pure noise, experimental and performance, ambient and industrial music, showing distant but original reality on a visual and musical level: even the most “traditional” listener will be captured.
Location: Barrio's Cafè in via Barona corner with via Boffalora in MILANO (tel. 02-89159255)
Calendar - february and march 2008
| February 05, 2008 | |
| February 19, 2008 | |
| March 04, 2008 | |
| March 18, 2008 |
Calendar - november and december 2007
| November 06, 2007 | |
| November 20, 2007 | |
| December 04, 2007 | |
| December 18, 2007 |
ODRZ13 2006
Soundtrack for a phisycal - industrial performance.
Croatian ensemble NOISE WALL sacrifice alive a car, one of the modern industry symbols, dissecting it by grinders breaking it in a pile of plates.
ODRZ mix the “sounds” of the spectacle with their own ambient-industrial sonorities alternating deep and haunting times with different more frenetic and powerful ones for a soundtrack in which the blades that dissect the metal are the “soloists”.
ODRZ12 2005
Project no-project for live performance
Equipment reduced to the minimum
Ambient-Industrial music
Always different
For small venues.
The CD is available at Tibprod.
ODRZ11 2005
“Il Grande Tritacarne” is a science fiction book edited by Kipple in a packaging enclosing a CD standing for ideal soundtrack. The project involves many groups working on avantgarde and on musical research less conventional.
The task of ODRZ is “voicing” the last chapter.
The final result is a track with a “circular” structure within deep and beating sounds take turns to martial/industrial rhythms, emphasized by an iperdistorted and disturbing voice.
The end of the world, saw from far away, is a warped of disfigured sounds, which come in the stomach crossing the brain.
All set for a new life.
ODRZ10 2005
Hammers, mallets, trowels, chisels, files scraping, carving, creeping and rolling on steel plates and metal discs. An ultra noise project by ODRZ from these sounds.
The track is within a quadruple collective CD produced and issued by Tibprod.
ODRZ09 2004
Collective project proposed by Cadmium Dunkel and produced by the norwegian label Tibprod.
The subject is remix/reconstruct of some of his tracks, unreservedly alterable.
ODRZ rewrote the track called “Mai”, adding to the original piece sound samples taken from it, altered and played in loop mode.
The CD, called “Reconstruct II”, is available at Tibprod.
ODRZ08 2004
Participation at “Il Programma di Religione”, CD project edited by Boyarm (www.boyarm.com) about Popes. 265 artist involved, each one with a track no more than 15 seconds long.
ODRZ are in it with a track dedicated to the shortest pontificate in the history, “Stephen II” (752 D.C.), who dead three days after election but before consacration.
The track, which lasts 14 seconds, is divided into two parts (life – death).
In Part I all the sounds start from human voice, the most used “instrument” for making music during those ages; the notes of the melody are the “translation” on pentagram of the letters composing Pope name.
The end of the track describes the sudden death.
The CD is available at Boyarm.
ODRZ07 2004
Industrial noise musical project, formed by tracks played only with guitars and microphones. The complete transformation of the instruments makes them unidentifiable, and they seem as model sounds and rhythms of different instruments.
The tracks was written making use of several sense of compositions and recording methods.
The CD is available at Kipple ("Intonarumori" collection).
ODRZ06 2003
Musical rendering (industrial noise) of a day in a factory. The work
symbolises the whole working day (in Italy 8 working hours and 1 lunch break hour) and it is made up of 9 parts, which will be published at maturity on a fixed day, May 1st of next years.
Factory engines and surroundings have been sampled during working time; afterwards they have been altered. The samples will be used in all the work.
Vocals on Part V by Paola Bianchi (Ludmila, Femina Faber).
Publications on CD (each one lasts 60 minutes) :
| PART VIII | (3 p.m. - 4 p.m.) | 2008 | |
| PART VII | (2 p.m. - 3 p.m.) | 2007 | |
| PART V | (12 a.m. - 1 p.m.) | 2006 | |
| PART IV | (11 a.m. - 12 a.m.) | 2006 | |
| PART I | (8 a.m. - 9 a.m.) | 2005 | |
| PART III | (10 a.m. - 11 a.m.) | 2004 | |
| PART VI | (1 p.m. - 2 p.m.) | 2004 |
CD available at: www.tibprod.com
Images : Part 1 Part 3 Part 4 Part 5
ODRZ05 2002
The television, today, is the most immediated media. Audio TV reality undergoes an alteration process by ODRZ. ODRZ05 drives the TV audience away. The ODRZ05 project lasts 60 minutes.
ODRZ used 6 original audio TV sources as real instruments. Every instrument undergoes an alteration process. The final result is a noise composition.
The live performance
consists in undergoing alterations the sound broadcasted in real time by the
television networks, showing images at the same time.
ODRZ05 Live : Barcelona, Munchen, Milano, Krizevci
CD available at: www.tibprod.com
Images : 01 02 03 04 05 06 07 08 09
ODRZ04
Presentation of two pieces for a project called “collective juke-box”, based on the transfiguration of the concept of juke-box.
Various artists take part, freely, with their own pieces of a variable length included in a juke-box the audience is called to use (in art galleries, museums).
The users can interact with the machine, that usually is a fee-paying entertainment, choosing pieces freely, no matter how many.
http : jukebox.thing.net collectivejukebox.org
ODRZ03
Voicing of an ecological house showed in an exhibition on the subject. The circularity of pieces and the use of noises on background represent an attempt to accompany the short permanence of the spectator, without catching his attention, but above all without making him feel lonely.
ODRZ02
Sounding project that can be set up in a 45’ performance: symbolic representation of the universe, of the four Aristotelian elements that compose substance, of the forces acting within, of developed life, changing of the same life during the time.
http : www.the-virtual-mine.net
ODRZ01
40’ length performance with live music, slides projected on three metallic surfaces, video on four screens, audience shut in a cage, industrial scenography
ODRZ00
Musical video project of 14’ length for only one passive spectator who become part of the following performance: tied on a metallic chair with wheels, he is remote radio-controlled within a square surrounded by televisions and speakers.